Olivia Leigh Curtis
she/her
Instagram: @olivia_curtis
linktr.ee/olivia_curtis
daffodil (2022)
Glaze, Glass, and Stoneware.
Artist Statement
I focus on the fluid nature of materials and the application of their properties and phenomena. I carefully design aleatory (chance-based) experiments to gather data and design systems in which components react upon the introduction of a catalyst –often, gravity, heat, or tension– over time. This produces physical artifacts of moments. My main collaborators are ceramics and glass. Their extreme similarities and differences make them compatible with synthesizing new materials and techniques. They are separated by chemical makeup and cultural practices, however, their chemistry can be manipulated similarly between the two –both materials are made from the same basic components like silicates and fluxes– and historically they are closely linked. They have similarities in their usage as vessels, production techniques (ex. firing technology/working while spinning), and styles (ex. Cameo Glass/Jasper-ware). Also, they are often combined into new fusions like Egyptian paste, bone china, and futuristic glass-ceramic composites.
Artist Bio
Olivia Leigh Curtis is an emerging artist holding a BFA from MassArt in 3D Fine Arts/Glass. Her process-based work uses inorganic chemistry and heat to mix siliceous materials, such as clay, glaze, and glass into new compositions. This often results in physical sculptures that are the byproduct of a violent reaction. Since starting her professional career, Olivia has shown work at Boston City Hall (2024), the Glass Art Society’s conference (2023 & 2024), MassArt’s 6th Alumni Biennial (2022), the MassArt Auction (2023), and Abigail Ogilvy Gallery (2021). She has been a fellow at Pilchuck Glass School (2023) and published in Corning Museum of Glass’s New Glass Review 42 (2022). She has additionally received grants from the Boston Art Dealers Association and the Commonwealth of Massachusetts. Outside of her art practice, Olivia works in supporting roles at MassArt’s jewelry department and at Harvard’s Department of Art, Film, and Visual Studies.